Most poetic inscription-Philip Hogan
Here is long term reader and distant relative Brian Harrison at the very well preserved grave of his great grandfather Philip Hogan. It is situated in the old Catholic Cemetery at Parramatta, west of Sydney.
Phillip John Hogan was born in 1766 at Ennis in County Clare, Ireland. He was charged in 1797/98/99 (records vary as to the year) for being involved in the Irish Rebellion “troubles” at that time. He was found guilty as a political prisoner and sentenced to life in the colony of New South Wales.
He arrived at Sydney Cove on the convict ship “Friendship” in1800 and was assigned to the Reverend Samuel Marsden at “Mame” at South Creek, south west of Sydney.
Mary McMahon (alias Ryan) was born in Ennis also, in 1777, and arrived at Sydney Cove on the convict ship “Rollo” in 1803.Mary soon met Philip and had at least two children at the time of their marriage in 1810 They resided at South Creek, some of their children being born at “Mame” Their marriage was performed by Rev. Marsden at St. Johns Church of England at Parramatta.
Phillip and Mary continued to live at South Creek. Philip held a ticket of leave in 1806 and was granted a conditional pardon in1811. He stated in a letter to Governor Macquarie in 1820 that he had seven children, 100 acres of land, from previous grants, 40 acres under cultivation, and 50 head of horned cattle. The NS.W. returns of 1819-1820 list Philip Hogan as a resident of South Creek, “a decent labouring man of good character, married with a family”.
Phillip died in 1829 aged 63 years.
Wording of Philip’s inscription
The poetic inscription on Philip Hogan’s grave is from the sixth verse of Alexander Pope’s 1717 “Elegy to the Memory of an Unfortunate Lady”:
“So peaceful rests, without a stone, a name,
What once had beauty, titles, wealth, and fame.
How lov’d, how honour’d once, avails thee not,
To whom related, or by whom begot;
A heap of dust alone remains of thee,
‘Tis all thou art, and all the proud shall be!”
Though only 82 lines long, the elegy has become one of Pope’s most celebrated pieces. The work begins with the poet asking what ghost beckons him onward with its “bleeding bosom gor’d”; it is the spirit of an unnamed woman (the “lady” of the title) who acted “a Roman’s part” (i.e., committed suicide) due to loving “too well.” The speaker eulogizes her sacrifice and then for several lines berates and curses her uncle (who is also her guardian) for having no compassion on the lady.
Proceeding to the lines quoted above, there follows a description of her foreign burial in a “humble grave” unattended by friends and relatives, which Pope sums up in the striking (and sobering) couplet (also quoted above):
“A heap of dust alone remains of thee;
‘Tis all thou art, and all the proud shall be!”
Why select the elegy?
The elegy was written a century before Philip died, raising the interesting point as to why an Irish convict like Philip would have felt so strongly about the elegy to have it quoted at considerable expense on his gravestone (which incidentally appears to have been made from excellent stone).
Perhaps Philip in fact had nothing to do with the selection pf the poem but the person organising the engraving of the gravestone decided there was a parallel between Philip and the lady in the poem’s “foreign burial in a humble grave unattended by friends and relatives”.
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